Ferrier’s most comprehensive and focused piece of work is
the three song demo “That’s All I Have to Say”, which opens with the grief
stricken “Stable”. Comprised sonically
of merely Ferrier’s voice and acoustic guitar recorded on cheap equipment, the
instrumental part is as bare and despairing as the heart breaking lyrics. Flashes of real poetry are on display here,
with lines such as, “Far into the orchard I’ve run, I’d hear you’re call and
catch you before you fall”, being amongst those that perfectly convey a sense
of loss inspired by true devotion to a previous lover. The often off-kilter and sporadic guitar
playing lends the song a sense of frantic desperation, affording it yet another
dimension of youthful teenage heartbreak.
“Mistress of Manipulation” follows, which opens with Ferrier
destitute in his admission that “I’ve lost faith in me and you, subconsciously
I always knew, what you were.” He
bitterly extends the claim that his former lover is a “Mistress of manipulation”
as the title suggests. “Drumshantie”
opens with a guitar passage that wouldn’t have been amiss on Sufjan Stevens “Carrie
and Lowell”. It envisions Ferrier adrift
at sea, floundering amongst the waves in search of a current that will carry
him to safety, and begging, “please don’t leave me here to drown”.
In the creatively
lucrative world of depressing indie folk music, Ferrier is certainly worthy of
considerable acclaim. Deeply
confessional and honest sonnets for fans of Bon Iver, I recommend streaming
this demo and keeping an eye on this future talent.
Charlie McCartney
Knew you had it in you Bro'...great cover as well.
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