
“Squealer” is a 90s nostalgia trip that’s as forgettable as
it is tuneless. The whining guitar on
the title track is as grating as nails on a chalk board, a trope that’s all too
common across much of the album. The creeping
sense that the distortion has been utilised as a way of masking the general
lack in ingenuity in the instrumentation manifests itself, and lingers in the mind until the closing
noisy barrage of “the magazine”.
There are certainly certain songs that pack a significant
enough punch to avoid some of the criticism I’ve levelled here however. The high intensity squalls of “diversion” are
an appropriate marriage for the abrasive guitar tones that were insufferable on
slower songs.
While Ty Segall
probably doesn’t need to prove anything at this point, it disappoints me that I
couldn’t find much to like about this album.
I struggled to enjoy huge chunks of it, the screeching guitars really
doing very little for my enjoyment. I
can’t recommend you do anything other than stream this album.
Charlie McCartney
personally i think this is one of Ty's weaker albums but still i do think its a fine direction he is going in, for one he didn't write any of the music in this album, he left it for the fame filled band 'the muggers'. And it does show, the sound i hear when i listen to the tracks of emotional mugger is a combination of the 3+ bands that have worked on this (King Tuff, WAND, Ty) which is the most fuzzed out avant-garde garage i've ever heard. Ty has taken the front man approach to this album instead, channeling his inner beefheart and letting it loose to the world, he has become a entertainer on stage with the mask.
ReplyDeletea VOCAL force to be reckoned with, this is why i still respect the shit out of this album