
The first track “Kannon Pt. 1” begins with a rather hopeful
ambient tone, one far less distorted and dense than I was expecting. However the droning guitar eventually creeps
into the instrumental, dousing it in nihilistic atmosphere. The creaking growling vocals instil the same
sense of dread that “Monoliths and Dimensions” did, as they slink in and out of
coherence, always lurking somewhere in the depths of the gnarled morass. The song essentially never shifts in tone or
pitch, there are no moments in which the listener breaks the surface of the
instrumental, and this is perhaps its main problem.
Bands like Deafheavan are able to keep a
consistent tone whilst exploring other means of delivering it, whether that be
through vibrant shoegaze and dream pop sections or otherwise. Sunn 0))) generally don’t offer anything
remotely deviating from the slow droning doom metal they’ve become so
accustomed to.
“Kannon Pt. 2” suffers from the same symptoms. While these songs are certainly creative in
their own way, variations of distorted droning over the same three or four
chords for two albums now doesn’t constitute the kind of progression I’d hoped
for. “Kannon Pt. 3” is more of the
same.
It may be that my ear
simply isn’t astute enough to decipher the intricate details that change
throughout these songs. But as far as I
can tell, not only is “Kannon” a much shorter and less involving album than “Monoliths
and Dimensions”, it’s also pretty much identical in the small amount that it
does offer. If you liked “Monoliths and
Dimensions” then you’ll have no issue with “Kannon”, I would however only
recommend that you stream it otherwise.
Charlie McCartney
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