
Boasting a career that
spans decades and genres, as well as defining them, Bowie has remained as
creative, culturally significant and subtly controversial as I feel it’s
possible for a musician to be.
Fortunately, whether or not he should be exempted from criticism isn't
an argument that needs to be discussed in this review, as “Blackstar” is absolutely
astounding in its ambition and solid in its tone.
Bathed in Eastern sun, drenched in occult symbolism and
twitching in syncopated discomfort, “Blackstar” may be the only 10 minute song
that isn't long enough. Bowie’s vocals
are an unnaturally immaculate falsetto for a man of his age, and the harmonies
only add to the nauseating sense of dread that accompanies the first several
minutes of the track. Hunky Dory era
Bowie suddenly appears from the sandstorm to give the listener a brief respite,
before the harmonies signal another plunge into the murky desert.
The woodwind instruments
play tormented, schizophrenic improvisations, along with the esoteric bleeping
of some futuristic machine, probably the one that brought Bowie here from
whatever desert planet inspired this absolutely glorious piece of Lovecraftian
horror. I can’t recommend this song
highly enough, download it for yourself.
Charlie McCartney
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