The world of dark, inward looking indie folk is one which is graciously reaching its
popular and musical peak in this decade and the end of the last. For better
(Bon Iver, Sufjan Stevens) or worse (The Lumineers, Passenger) the rise is both
interesting and obvious. Its genius is in its simplicity, a lack of instrumentation
lets other parts of the music take centre stage, namely vocals and lyricism.
James Parenti, admittedly adds little to this formula but in all honesty anything that would bring significant change to this formula would see
this shift away from the genre that Parenti seems so comfortable and adept at.
On this record “Don’t Be Gone Long, Ellen” it would be a lie
to say that Parenti isn’t as skilled, melodic and haunting as any of the
masters of the genre.
The first thing to note from this record is that it is
bitterly, devastatingly miserable, and that is ok. His emotion comes off as
real and he has a belief in his lyrics and in what he is saying. The themes of
love through the troubles of mental illness are a rarely explored vessel for, at
times, deeply affecting music.
“Cave in Burn Down” is one of the most challenging,
troubling songs on the record, its accessibility masking the soul crushing
lyricism and I would struggle to imagine anyone being at least somewhat
affected by this.
Although some of the lyrics I feel could be a bit more
nuanced throughout the record they convey the message just as strong and
effective. “Sleepwalker” is a prime example of this. Throughout the record
although heavy handed at points the songs create a distinct aura that is
undeniable. It feels like Parenti may be best appreciated in a live setting
where you can really connect to him.
My highlights of the record would likely be “Back to Sleep”
and “Lucky Star.” They affect the
most with the almost childlike appearance of “Back
to Sleep” and the musically visible descent in “Lucky Star” ending the record
leading to a both hopeful, beautiful and in the end realistic conclusion on the
realities of the situations and events in this record which convey a tragic yet
magnificent narrative.
For fans of sadder
works in the indie folk genre like some of Bon Iver and Elliot Smith’s releases
I would certainly recommend James Parenti’s “Don’t Be Gone Long, Ellen.” It is
certainly a difficult listen that may require a lot of contemplation but this
may be worth it to appreciate everything that James has to say on this record.
Dominic Allan
Get this album on Bandcamp here : http://jamesparenti.bandcamp.com/
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