
The driving acoustic guitars and soulful harmonies of “I Can’t
Figure out what’s Going On” feel somewhat out of place behind Devon Porteilje
sinisterly singing about poisoning all his friends. The primarily electronic “Consider Yourself”
is one of the more distant and cold songs on the album, and actually my least
favourite, substituting syrupy strings and acoustic guitars for rigid piano and
distortion. Fortunately it’s followed by
the stellar “Hands in the Garden”, one of the brightest songs I’ve heard this
year, with the main lyrical refrain being “I never thought I could be this
happy”.
“Turn Your Love” is a perfect
example of how to make electronically tinged music personal and intimate. The Fleet Foxes-esque harmonies are simply
exquisite on this track. It falls down
somewhat at the chorus where it incorporates a more distorted guitar and
somewhat ruins the enclosed feeling of the verses. Once again any faults are redeemed by another
acoustically driven track “Narrow Margins”, which may be more sinister in tone
than previous tracks, but maintains its charm through temperate keyboard and
string instruments.
The title track is another optimistic track that I find
myself captivated by. It encapsulates all
the nuanced emotion this album has to offer.
However I can’t help but feel that for every heartwarming acoustic serenade,
there is a less connected, bleak throwaway track.
It’s certainly the
perfect album to lift the spirits of anyone who listens to it, and that in
itself is admirable. Despite it having a
fair number of tracks that I can’t find myself involved in, I’d say it’s worth
downloading for yourself.
Charlie McCartney
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