
the glitched out drum machines threaten to briefly derail the tune. This makes the gradual lapse into twisted carnival style horror all the more jarring, like being on a carousel that’s suddenly started to melt. As abrasively experimental as this passage is, with its dissonant chords and esoteric beats, I imagine that was the intention, so it’s hard to criticise really. And in all honesty it was an extremely creative section.
The main tune briefly re-emerges from the gnarled foray,
before relapsing into a slower and more discordant version of itself.
Charlie McCartney
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